Low Winter Sun is indeed a dark drama, but perhaps just a tad too dark. Low Winter Sun deals in murder, deception, revenge and corruption leading to a series that is gritty and atmospheric, but is also unfortunately a tad boring.Ĭhris Mundy’s series, which only lasted one season, aspires to be the next slow burning crime drama reminiscent of HBO’s The Wire. It starred Mark Strong as police detective Frank Agnew, who commits a crime based on revenge and thinks he got away clean. In 2013, the channel set out to make their version of Low Winter Sun, based on a 2006 British mini-series of the same name. Like other networks, AMC is no stranger to adapting hit British television shows for an American audience. Unfortunately, the first season of Feed the Beast suffers from one too many ingredients, but might find a more suitable audience if it decides to step up its game if renewed for a second season. ![]() Certain elements of the show get very heavy-handed, which is too bad because the cast, especially Schwimmer, are fantastic in their roles. Ironically it’s the more dramatic tropes that fall flat here: the corrupt cop, the evil mob boss, the cliché love interest. It’s fun to listen to the characters explain things about finer spices and wines, leading to some witty and entertaining banter. AMC’s new show is strongest when explaining the ins and outs of the restaurant business. The program tries to copy superior cable dramas of past, but lacks all of the rich substance or creativity that made those shows hits.ĭavid Schwimmer and Jim Sturgess star as two down on-their-luck chefs opening up a fancy new restaurant in the Bronx. While the show was written off as merely confusing, there are brief notable moments where it shines, including Sir Ian McKellen’s wonderful take on the mysterious Number Six.įor a show featuring two chefs that want to build up a respectable clientele for their restoraunt, with superb ingredients and finer ambiance, Feed the Beast itself is more like a run-of-the-mill burger joint. Instead of tantalizing the audience, we are left frustrated that so many questions are left unanswered until the finale. The story is rather flat with little substance in the characters’ motivations. Nowadays, just atmosphere alone isn’t enough to carry an entire program.Īnd that leads to The Prisoner’s biggest problem: the show just isn’t compelling enough to warrant a six-part mini-series. While the mood-altering original was groundbreaking, by now audiences have come accustomed to trippy television shows like The X-Files or Doctor Who. The updated version, which is more a reimagining than a remake, tries to use the same bag of tricks but to no avail. The original series, which aired in 1967, is considered a cult classic for its unique non-linear storytelling and psychedelic influences. Here are the 20 Best AMC Original Series.Īlthough ambitious in scope, AMC’s remake of The Prisoner might be their one of their weaker programs to date. Like our ranked list of Netflix series, and our recent best of HBO series, we’re taking a look at the cream of the crop that AMC has yet to offer. ![]() ![]() They’re proven they can produce high-stakes dramas like Mad Men, interesting documentary series like The Pitch and the recent Ride with Norman Reedus, and have even produced spinoffs of past efforts like Better Call Saul and Fear the Walking Dead. With their tagline “Story Matters Here,” AMC has put an emphasis on quality programming that span from all kinds of genres. In 2007, it aired its first original drama series Mad Men to critical acclaim, and since then has produced a series of well-crafted shows that have taken TV viewers by storm. Although movies still remain an essential part of AMC’s schedule, the network has gained massive popularity for its number of original quality programming in recent years. Originally filling its airtime with theatrically released movies, “ American Movie Classics” started to de-emphasize its full name around 2003 for its major shift in programming.
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